Anthologia

The tenth artist in our year-long spotlight series, Bella Easton’s practice resonates with the meditative poetics of T. S. Eliot’s Four Quartets, particularly the image of the “still point of the turning world.” Her hybrid printmaking process—combining the fixed language of woodcut with the fluidity of hand-colouring—creates works that feel both anchored and in motion, holding moments in a delicate state of suspension.

Across her prints, portals and shifting spatial fields open onto layered temporalities, recalling the quiet transformations of Little Gidding, where past and present are not sequential but simultaneous. These threshold spaces invite a slower kind of looking, in which memory, perception, and place begin to overlap and unfold.

All work shown is for sale. Please contact us for larger works and commissions.