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Hand-coloured woodcut & carborundum on Japanese paper
Edition of 3
Bella Easton explores time, repetition and renewal through layered compositions that seem both anchored and in motion. Her work resonates with T. S. Eliot’s Four Quartets, particularly Burnt Norton and Little Gidding. Recurring forms and shifting spaces invite a slower kind of looking, allowing memory, perception and place to overlap.
Hand-coloured woodcut & carborundum on Japanese paper
Edition of 3
Bella Easton explores time, repetition and renewal through layered compositions that seem both anchored and in motion. Her work resonates with T. S. Eliot’s Four Quartets, particularly Burnt Norton and Little Gidding. Recurring forms and shifting spaces invite a slower kind of looking, allowing memory, perception and place to overlap.
